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	<title>Simon Panayi // Sound Designer</title>
	<link>https://simonpanayi.com</link>
	<description>Simon Panayi // Sound Designer</description>
	<pubDate>Sun, 30 Aug 2026 16:29:19 +0000</pubDate>
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		<title>Ghost Town</title>
				
		<link>https://simonpanayi.com/Ghost-Town</link>

		<pubDate>Mon, 06 Jul 2026 15:56:57 +0000</pubDate>

		<dc:creator>Simon Panayi // Sound Designer</dc:creator>

		<guid isPermaLink="true">https://simonpanayi.com/Ghost-Town</guid>

		<description>Ghost Town
Feature, Documentary, 2026

Dir. Katharine Round
Prod. Laura Shacham,&#38;nbsp;Shiori Itō
&#60;img width="628" height="226" width_o="628" height_o="226" data-src="https://freight.cargo.site/t/original/i/d603dca5aefc8d317f3ab14e94c6c90a564032c4fd53ba10224e6daf84e707aa/Screenshot-2026-07-25-at-12.26.14.png" data-mid="250710186" border="0"  src="https://freight.cargo.site/w/628/i/d603dca5aefc8d317f3ab14e94c6c90a564032c4fd53ba10224e6daf84e707aa/Screenshot-2026-07-25-at-12.26.14.png" /&#62;

Fifteen years after the 2011 tsunami, taxi drivers in the Japanese port town of Kamaishi began picking up passengers who didn’t exist. Using rigged cameras, the taxi is transformed into a moving confession booth. Over the course of one night, a series of conversations between drivers and their passengers reveal how those who survived live with the dead.Between silence and conversation, myth and memory, Ghost Town inhabits a liminal space between documentary and dream. It reveals a community suspended between the visible and invisible - a portrait of life lived alongside its ghosts.
Premiered in competition at&#38;nbsp;Visions Du Réel 2026
Acquired by Dartmouth Films

Sound Designer’s Note:
Katharine created space for sound design within the cut and conept of Ghost Town and we were able to build a soundscape derived from themaic threads. The uncanny presense of Kamashi’s deer, the haunting presense of payphones, the warped memories of the trauma of the tsunami and the choregraphy taxi interiors. The mix of the film balances the intimate confessions of the contributors while also evoking the memories of Kamashi’s formative disaster and bringing to life the spirtual and ghostly experiences of the inhabitants.
A Notable Sound:
Early in the sound design of Ghost Town I recorded a series of corregated metal sounds to embelish the sound of strong wind buffeting against the large warehouses. Later in the film the same recordings were manipulated to create abstract atmospheric elements that felt evocative of this sparse ghost town.
Press &#38;amp; Reviews:
“an inspired exploration of the myriad ways humans process loss and grief…a haunting cinematic confessional on wheels.” - Slant Magazine (three to watch at Visions du Réel)

“a cinematic séance unfolding on the margins of reality” - Screen Anarchy


"intimate... lyrical” - Business Doc Europe


★★★★ “this poetic elegy... beautifully examined” - International Cinephile Society


★★★★ ‘With their heads resting on the delicate lace of Japanese taxis, people confide in each other about anything and everything...” - Le Polyester




  




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		<title>Crab Day</title>
				
		<link>https://simonpanayi.com/Crab-Day</link>

		<pubDate>Sun, 08 Jan 2023 17:29:29 +0000</pubDate>

		<dc:creator>Simon Panayi // Sound Designer</dc:creator>

		<guid isPermaLink="true">https://simonpanayi.com/Crab-Day</guid>

		<description>Crab DayAnimation, Short, 2023


Dir. Ross Stringer
Role: Supervising Sound Editor &#38;amp; Dubbing Mixer
5.1 Mix

Interview with Royal Television Society
Director’s Notes ArticleAs part of a fishing community’s annual ritual, a young boy must kill his first crab in order to become a man and gain his father’s approval.
BAFTA - Best British Short Animation 2024
RTS - Best Post Graduate Animation Film 2024RTS - Best Post Graduate Sound Design 2024
London Animation Festival - Audience Award 2024
Anibar Audience Award 2023
Official Selection London Internation Animation Festival 2023
Official Selection Flipbook Film Festival 2023
Official Selection (International Competition) Cinanima 2023
Official Selection Linoleium 2022
A Notable Sound:
One of my favourite details in the sound design of Crab Day is the blinking. This was created by inverting the output of software specalising in removing clicky mouth sounds in dialogue.

By recording myself, close mic’d, speaking according to the emotion of the character, and used the inverted output to remove everything but the mouth clicks. Despite the abstraction there is something of the tone/feeling of the speaking that carries over, and communicates the emotion of the boy and the man.




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		<title>Poster Boy</title>
				
		<link>https://simonpanayi.com/Poster-Boy</link>

		<pubDate>Sun, 30 Aug 2026 16:09:01 +0000</pubDate>

		<dc:creator>Simon Panayi // Sound Designer</dc:creator>

		<guid isPermaLink="true">https://simonpanayi.com/Poster-Boy</guid>

		<description>Poster Boy
Fiction, Short, 2025
Sound Designer &#38;amp; Re-Recording Mixer

Dir. India Opzoomer

5.1 Mix&#60;img width="380" height="256" width_o="380" height_o="256" data-src="https://freight.cargo.site/t/original/i/9d7b370b037330eebddd1b6b0c158966af2b100be79d2b2b08d08e7adb46d28e/imgi_1_TIFF-Laurel.jpeg" data-mid="251694100" border="0" data-scale="95" src="https://freight.cargo.site/w/380/i/9d7b370b037330eebddd1b6b0c158966af2b100be79d2b2b08d08e7adb46d28e/imgi_1_TIFF-Laurel.jpeg" /&#62;Hollywood Reporter:CAA Sets Lineup for 11th Moebius Film ShowcaseIndiewire: 10 Must-See AFI Fest Movies 

In the cutthroat world of '90s boy bands, a desperate 16-year-old dancer betrays his best friend and bandmates in a misguided attempt to secure his spot in the limelight, only to discover the true cost of fame.World Premiere: Toronto International Film Festival Official Selection 2025
UK Premiere: Encounters Film Festival Offical Selection 2026

Nantucket Film Festival Official Selection 2026
Maryland Film Festival Official Selection 2026
Dallas International Film Festival&#38;nbsp;Official Selection 2026
Santa Barbara International Film Festival&#38;nbsp;Official Selection 2026
Sound Designer’s Note:India 
A key dynamic in the film is between the protagonist’s internal, solipsistic view and the cold reality of the audition process. The balance between the music video feel and the ugly acoustic of the hotel lobby turned audition hall helps to shift the tone of boy band’s performance. This element of the mix was the one we revisited the most to try and find the exact moment to undermine their performance and introduce the stark reality of the audition process.
A Notable Sound:
The foley movements for the boyband’s dances move was an important component to the soundtrack but a difficult one to get right. However one element that I found particularly effective was adding the squeaking shoes. The high frequencies easily cut through the worldised music, and effectively undermined their performance, adding a self-consciousness and further developing the starkness of the audition room.

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		<title>Dive</title>
				
		<link>https://simonpanayi.com/Dive</link>

		<pubDate>Sun, 08 Jan 2023 17:29:35 +0000</pubDate>

		<dc:creator>Simon Panayi // Sound Designer</dc:creator>

		<guid isPermaLink="true">https://simonpanayi.com/Dive</guid>

		<description>

Dive (2023)Fiction, Short, 2023


Dir. Will Peppercorn
Role: Sound Designer
Dolby Atmos &#38;amp; 5.1 Mix

NFTS ArticlePaul, an experienced deep sea 'saturation' diver, returns to the rigs following a personal tragedy. A technically demanding film that is able to rely on the sound design to bring the saturation tank set build to life. Creating a sense of mounting pressure, physically and mentally, while attentively emboldening the protagonists conflict.




&#60;img width="2048" height="858" width_o="2048" height_o="858" data-src="https://freight.cargo.site/t/original/i/e63a4c989b74f3f14d0c98b5243367a316bf6731371b2794c61224620479d076/Dive-Stills-v1-2.jpg" data-mid="168688813" border="0"  src="https://freight.cargo.site/w/1000/i/e63a4c989b74f3f14d0c98b5243367a316bf6731371b2794c61224620479d076/Dive-Stills-v1-2.jpg" /&#62;
&#60;img width="2048" height="858" width_o="2048" height_o="858" data-src="https://freight.cargo.site/t/original/i/5bdc9f99708934c8494e07b2db58535762e2053dd23dfb59b3e0c8c5593a6825/Dive-Stills-v1-4.jpg" data-mid="168688814" border="0"  src="https://freight.cargo.site/w/1000/i/5bdc9f99708934c8494e07b2db58535762e2053dd23dfb59b3e0c8c5593a6825/Dive-Stills-v1-4.jpg" /&#62;
&#60;img width="2048" height="858" width_o="2048" height_o="858" data-src="https://freight.cargo.site/t/original/i/e6c7d9971eef2df3a48fbe4a2f56e0a39bc861aa878e98d1ff4859ff4b3bf948/Dive-Stills-v1-9.jpg" data-mid="168688815" border="0"  src="https://freight.cargo.site/w/1000/i/e6c7d9971eef2df3a48fbe4a2f56e0a39bc861aa878e98d1ff4859ff4b3bf948/Dive-Stills-v1-9.jpg" /&#62;
&#60;img width="2048" height="858" width_o="2048" height_o="858" data-src="https://freight.cargo.site/t/original/i/37963a59003ddcb2391dc975039c361cab793336c2e5e78d022e513606c4b78c/Dive-Stills-v1-14.jpg" data-mid="168688820" border="0"  src="https://freight.cargo.site/w/1000/i/37963a59003ddcb2391dc975039c361cab793336c2e5e78d022e513606c4b78c/Dive-Stills-v1-14.jpg" /&#62;
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&#60;img width="2048" height="858" width_o="2048" height_o="858" data-src="https://freight.cargo.site/t/original/i/b45dfd2a119c2decd165cbcd2b0bedd296a0087dfe1a33b622cfc56c28a562ae/Dive-Stills-v1-18.jpg" data-mid="168688825" border="0"  src="https://freight.cargo.site/w/1000/i/b45dfd2a119c2decd165cbcd2b0bedd296a0087dfe1a33b622cfc56c28a562ae/Dive-Stills-v1-18.jpg" /&#62;
&#60;img width="2048" height="858" width_o="2048" height_o="858" data-src="https://freight.cargo.site/t/original/i/56ee3540ac9ce153dd70564fc3b9eea167c1d446ad3f538b8a85d786c4919a8c/Dive-Stills-v1-19.jpg" data-mid="168688826" border="0"  src="https://freight.cargo.site/w/1000/i/56ee3540ac9ce153dd70564fc3b9eea167c1d446ad3f538b8a85d786c4919a8c/Dive-Stills-v1-19.jpg" /&#62;
&#60;img width="2048" height="858" width_o="2048" height_o="858" data-src="https://freight.cargo.site/t/original/i/8601aa43d02f729ce8178d160320e03a50c321a9c4cf0e0b575f482c972ab186/Dive-Stills-v1-20.jpg" data-mid="168688827" border="0"  src="https://freight.cargo.site/w/1000/i/8601aa43d02f729ce8178d160320e03a50c321a9c4cf0e0b575f482c972ab186/Dive-Stills-v1-20.jpg" /&#62;


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	<item>
		<title>Rise</title>
				
		<link>https://simonpanayi.com/Rise</link>

		<pubDate>Sun, 30 Aug 2026 16:29:19 +0000</pubDate>

		<dc:creator>Simon Panayi // Sound Designer</dc:creator>

		<guid isPermaLink="true">https://simonpanayi.com/Rise</guid>

		<description>Rise
Ficiton, Short, 2025
Sound Designer, Re-Recording Mixer &#38;amp; Field Recordist

Dir. Jessica J Rowlands

5.1 Mixhttps://risezimbabwe.com/

A charismatic young boy who lives on a rubbish dump in Zimbabwe must convince a reclusive boxing coach to teach him to fight in order to find safety and strength in a world that has left him behind.
“I’ve seen this incredible short film from Zimbabwe, and it moved me to my core... with unforgettable performances and stunning humanity. Stories like this deserve to be soon”
Viola Davies, Academy Award Winner &#38;amp; EGOT on RiseTribeca Festival (World Premiere) — Narrative Short Category 


Indy Shorts International Film Festival: Winner – Shine Global Children's Resilience Short Film Award


HollyShorts Film Festival — Social Impact / Narrative Short Category

San Diego International Film Festival: Winner – Audience Choice Short Award


Savannah Film Festival (SCAD) — Professional Shorts Category

Lady Filmmakers Film Festival (Beverly Hills) — Official Selection

British Urban Film Festival (BUFF) — International Short Category

Denver Film Festival — Short Film Selection

Heartland International Film Festival — Special Showcase Screening

Universal Movie Awards — Official Selection

Independent Shorts Awards International Film Festival — Official Selection

Sound Designer’s Note:
I had quite a unique and educational experience working Rise with Jessica. Early in the post production of the film I pre-mixed the dialogue and designed a scene that takes place in a diner between Rise and Coach.&#38;nbsp;
This was prior to travelling to Victoria Falls, Zimbabwe, in order to record ADR and field record.
I returned to London with a hard drive full of ambiences and effects recordings - but most importantly an experience of the sound of the location.&#38;nbsp;
When I later revisited the diner scene, the choices I had made previously made sense, but they were also more generic than the true sound of Zimbabwe. I now had both the recordings and experience to redesign the scene.
It’s an experience that I has helped to develop and consolidate my approach to sound design.</description>
		
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	<item>
		<title>The Wolf Of Custer</title>
				
		<link>https://simonpanayi.com/The-Wolf-Of-Custer</link>

		<pubDate>Sun, 08 Jan 2023 17:29:31 +0000</pubDate>

		<dc:creator>Simon Panayi // Sound Designer</dc:creator>

		<guid isPermaLink="true">https://simonpanayi.com/The-Wolf-Of-Custer</guid>

		<description>


	The Wolf Of CusterAnimation, Short, 2023


Dir. Tanya Scott
Role: Sound Designer
5.1 Mix

	A town loves telling tales about a legendary wolf. One hunter, however, proclaims it’s just an ordinary wolf.  He sets out to pursue it but while on the hunt, he begins to witness and understand the power of stories.
Quarter-Finalist at Student World Impact Film Fesitval 2023
Official Selection Edinburgh International Festival 2023
Official Selection Woodstock Film Festival 2023
Official Selection AnimAura 2023
Official Selection TAF Thessaloniki Animation Festival 2023
Official Selection International Student Animation Film Festival Animafantasia 2023
Official Selection (International Competition) Cinanima International Animated Festival of Espinho - Portugal 2023
Official Selection Cardiff Animation Nights 2023
Official Selection Raindance Film Festival 2023
Official Selection WFest 2023
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/23f1ee7061a0db09b32f029196c15b5ee7a1cc7435182637f706b6b8854ecd3d/2023-OFFICIAL-SELECTION-Laurel-Black.png" data-mid="196146036" border="0" data-scale="23" src="https://freight.cargo.site/w/1000/i/23f1ee7061a0db09b32f029196c15b5ee7a1cc7435182637f706b6b8854ecd3d/2023-OFFICIAL-SELECTION-Laurel-Black.png" /&#62;&#60;img width="3508" height="2481" width_o="3508" height_o="2481" data-src="https://freight.cargo.site/t/original/i/be08084aa588f3983b80eb5a5bdb6cee6148d98fffdf4734f96ea6418f5eacba/Official-Selection-International-Competition-Black-1.png" data-mid="196146119" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/be08084aa588f3983b80eb5a5bdb6cee6148d98fffdf4734f96ea6418f5eacba/Official-Selection-International-Competition-Black-1.png" /&#62;&#60;img width="595" height="595" width_o="595" height_o="595" data-src="https://freight.cargo.site/t/original/i/042c3679b31df2776837aa0aa9771092ea484e45b2e2a19b22f55756984bb886/Wfest.png" data-mid="196146226" border="0" data-scale="24" src="https://freight.cargo.site/w/595/i/042c3679b31df2776837aa0aa9771092ea484e45b2e2a19b22f55756984bb886/Wfest.png" /&#62;&#60;img width="3008" height="1472" width_o="3008" height_o="1472" data-src="https://freight.cargo.site/t/original/i/2dd99ac57dd56e2711648a73ae18e8b898bbc9dae53c89b464448b09e7b6fafa/CAN2023laurels_alpha.png" data-mid="196146341" border="0" data-scale="29" src="https://freight.cargo.site/w/1000/i/2dd99ac57dd56e2711648a73ae18e8b898bbc9dae53c89b464448b09e7b6fafa/CAN2023laurels_alpha.png" /&#62;&#60;img width="1735" height="1152" width_o="1735" height_o="1152" data-src="https://freight.cargo.site/t/original/i/7f0c726b32b6e2c378d38e0086b3e5ae607327bbb20eee8624516e75ea834e0b/OFFICIAL-SELECTION---TAF-Thessaloniki-Animation-Festival---2023.png" data-mid="196146349" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/7f0c726b32b6e2c378d38e0086b3e5ae607327bbb20eee8624516e75ea834e0b/OFFICIAL-SELECTION---TAF-Thessaloniki-Animation-Festival---2023.png" /&#62;&#60;img width="1735" height="1152" width_o="1735" height_o="1152" data-src="https://freight.cargo.site/t/original/i/24daf3a44c8e053867af132c901850f57821ae273a3b25d61be51ddaa6535437/OFFICIAL-SELECTION---International-Student-Animation-Film-Festival-Animafantasia---2023.png" data-mid="196146346" border="0" data-scale="22" src="https://freight.cargo.site/w/1000/i/24daf3a44c8e053867af132c901850f57821ae273a3b25d61be51ddaa6535437/OFFICIAL-SELECTION---International-Student-Animation-Film-Festival-Animafantasia---2023.png" /&#62;&#60;img width="1735" height="1152" width_o="1735" height_o="1152" data-src="https://freight.cargo.site/t/original/i/0e598f69480e56603dd95450a826408984708daaa5756b0ebc6b4f77f3a67969/OFFICIAL-SELECTION---AnimAura---2023.png" data-mid="196146345" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/0e598f69480e56603dd95450a826408984708daaa5756b0ebc6b4f77f3a67969/OFFICIAL-SELECTION---AnimAura---2023.png" /&#62;






	
	

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		<title>I Am The Immaculate Conception</title>
				
		<link>https://simonpanayi.com/I-Am-The-Immaculate-Conception</link>

		<pubDate>Sun, 08 Jan 2023 13:58:28 +0000</pubDate>

		<dc:creator>Simon Panayi // Sound Designer</dc:creator>

		<guid isPermaLink="true">https://simonpanayi.com/I-Am-The-Immaculate-Conception</guid>

		<description>I Am The Immaculate Conception
(2022)

Dir. Frank Martin
Role: FX Editor &#38;amp;&#38;nbsp; &#38;nbsp; &#38;nbsp; Re-Recording Mixer
5.1 Mix
NFTS
Paddy is the gardener of a grotto which is home to a statue of the Virgin Mary.&#38;nbsp; Many people have reported sightings of the statue appearing to move.


&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/b390208d17a00d81663c8519c9617519e0cf7f59aacb7040d5a2d2d9eebcf784/Screenshot-2022-04-27-at-10.09.30.png" data-mid="163981833" border="0"  src="https://freight.cargo.site/w/1000/i/b390208d17a00d81663c8519c9617519e0cf7f59aacb7040d5a2d2d9eebcf784/Screenshot-2022-04-27-at-10.09.30.png" /&#62;
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NFTS</description>
		
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	<item>
		<title>eBay x Amelia</title>
				
		<link>https://simonpanayi.com/eBay-x-Amelia</link>

		<pubDate>Sun, 08 Jan 2023 18:48:39 +0000</pubDate>

		<dc:creator>Simon Panayi // Sound Designer</dc:creator>

		<guid isPermaLink="true">https://simonpanayi.com/eBay-x-Amelia</guid>

		<description>eBay x Amelia DemodenbergDeviation Ldn
Sound Design &#38;amp; Mix for this social eBay campaign with Deviation Ldn
x1 Hero &#38;amp; x4 Cutdowns


</description>
		
	</item>
		
		
	<item>
		<title>HelloKlean</title>
				
		<link>https://simonpanayi.com/HelloKlean</link>

		<pubDate>Tue, 06 Jan 2026 10:17:17 +0000</pubDate>

		<dc:creator>Simon Panayi // Sound Designer</dc:creator>

		<guid isPermaLink="true">https://simonpanayi.com/HelloKlean</guid>

		<description>HelloKlean

Jamon
Dir. Will Clarke
Prod. Alice Raymond

Third Campaign for HelloKlean:&#38;nbsp;Out Of Place

Sound Design, Mix &#38;amp; Music
Dir. Will ClarkPd. Alice RaymondJamon Creative











This campaign has featured a promotional cassette feauturing my sound design &#38;amp; music

Second Campaign with HelloKlean: The Next 72

Sound Design, Mix &#38;amp; Music

Dir. Will Clark
Pd. Alice Raymond
Jamon Creative

First Campaign with HelloKlean: Six Stories
Sound Design, Mix &#38;amp; Music
Dir. Will ClarkPd. Alice RaymondJamon Creative


</description>
		
	</item>
		
		
	<item>
		<title>JBL LIVE Headphones</title>
				
		<link>https://simonpanayi.com/JBL-LIVE-Headphones</link>

		<pubDate>Tue, 21 Jul 2026 14:49:34 +0000</pubDate>

		<dc:creator>Simon Panayi // Sound Designer</dc:creator>

		<guid isPermaLink="true">https://simonpanayi.com/JBL-LIVE-Headphones</guid>

		<description>JBL LIVE Headphones &#38;amp; Earbuds
&#124; Benson Boone x Martin Garrix

Dir. Pieter Genee

Sound Design &#38;amp; Mix
A fun project to sound design and mix some crisp sounds for JBL’s LIVE Headphones &#38;amp; Earbuds campaign.
Sound Note:Good to get the opportunity to be the sonic butt double for Benson Boone




Nam semper semper ex In porttitor pellentesque sapien</description>
		
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